La exposición de la Nueva Galería Tretyakov presenta a más de 90 artistas, incluidos protagonistas del movimiento como Lev Nusberg, Francisco Infante-Arana y Viacheslav Koleichuk.
The Art Newspaper / Febrero 8, 2021 / Fuente externa
The Art Newspaper Russia es un socio de medios oficial de la Galería Tretyakov
Una amplia revisión del arte cinético soviético en la Nueva Galería Tretyakov en Moscú se ha convertido en una de las exhibiciones mejor recibidas por la crítica que se inaugura este año en la capital rusa. Future Lab: Kinetic Art en Rusia (hasta el 10 de mayo) se inauguró después de que la ciudad llegará a su segundo cierre de Covid-19 y explora los comienzos y la influencia del movimiento de vanguardia de la posguerra.
El movimiento fue considerado durante mucho tiempo como un “fenómeno marginal” de la historia del arte ruso del siglo XX, ya que no encajaba en el discurso del “conflicto entre arte y autoridad”, dice la curadora de la exposición Yulia Aksenova. "[Él] no habló en el lenguaje del poder, ni habló en contra de él". Pero parece haber resonado entre el público aficionado a los museos en el Moscú actual.
La exposición presenta el trabajo de más de 90 artistas, incluidos los precursores del movimiento, así como los artistas contemporáneos que han seguido su estela, como vtol (Dmitry Morozov) y Stain Group. Los maestros rusos modernos de principios del siglo XX, como Kazimir Malevich y Vladimir Tatlin, “dialogan con artistas de los años 60”, dice Aksenova. Sin embargo, la exposición se centra en los principales protagonistas y fundadores del movimiento artístico cinético de la posguerra, como Lev Nusberg, Francisco Infante-Arana y Viacheslav Koleichuk.
“Continuando directamente la línea de la vanguardia de la década de 1920, [el movimiento] estaba interesado en ideas universales y problemas trascendentales a escala planetaria”, dice Aksenova. Los artistas eran tanto investigadores como experimentadores, añade.
La muestra incluye alrededor de 400 obras que van desde móviles, esculturas en movimiento y piezas interactivas, hasta collages, pinturas de ilusión óptica y fotografía. Es organizado conjuntamente por Tretyakov y la Sala de Exposiciones Manege Central de San Petersburgo, donde se mostró el año pasado, junto con Rosizo, la rama de exposiciones del Ministerio Federal de Cultura, y la Galería Triumph de Moscú.
• Future Lab: Arte cinético en Rusia, Nueva Galería Tretyakov, Moscú, hasta el 10 de mayo
Soviet Kinetic art show includes more than 400 works exploring the once ‘marginal phenomenon’
The New Tretyakov Gallery exhibition features more than 90 artists including protagonists of the movement such as Lev Nusberg, Francisco Infante-Arana and Viacheslav Koleichuk
THE ART NEWSPAPER4th February 2021 16:12
The Art Newspaper Russia is an official media partner of the Tretyakov Gallery A sweeping survey of Soviet kinetic art at the New Tretyakov Gallery in Moscow has become one of the best critically received exhibitions to open this year in the Russian capital. Future Lab: Kinetic Art in Russia (until 10 May) opened after the city came our of its second Covid-19 lockdown and explores the beginnings and influence of the post-war avant-garde movement. The movement was regarded for a long time as a “marginal phenomenon” of 20th Russian art history, since it did not fit into the discourse of “conflict between art and authority”, says the exhibition curator Yulia Aksenova. “[It] neither spoke in the language of power, nor spoke out against it.” But it appears to have resonated with the museum-going public in today's Moscow. An installation view of Future Lab: Kinetic Art in Russia at the New Tretyakov Gallery in Moscow The exhibition features work by more than 90 artists, including precursors to the movement as well as contemporary artists who have followed in its wake, such as vtol (Dmitry Morozov) and the Stain Group. Russian Modern masters from the early 20th century, like Kazimir Malevich and Vladimir Tatlin, “conduct a dialogue with artists of the 60s”, Aksenova says. However, the exhibition focuses on the main protagonists and founders of the post-war kinetic art movement, such as Lev Nusberg, Francisco Infante-Arana and Viacheslav Koleichuk.
“Directly continuing the line of the 1920s avant-garde, [the movement] was interested in universal ideas and transcendental problems on a planetary scale,” Aksenova says. Artists were both researchers and experimenters, she adds. The show includes around 400 works ranging in media from mobiles, moving sculptures and interactive pieces, to collages, optical illusion paintings and photography. It is staged jointly by the Tretyakov and St Petersburg’s Manege Central Exhibition Hall, where it was shown last year, together with Rosizo, the federal culture ministry’s exhibitions branch, and Moscow’s Triumph Gallery.
• Future Lab: Kinetic Art in Russia, New Tretyakov Gallery, Moscow, until 10 May
Soviet Kinetic art show includes more than 400 works exploring the once ‘marginal phenomenon’ The New Tretyakov Gallery exhibition features more than 90 artists including protagonists of the movement such as Lev Nusberg, Francisco Infante-Arana and Viacheslav Koleichuk THE ART NEWSPAPER4th February 2021 16:12 GMTMORE
A 1972 work by Viacheslav Koleichuk made using plywood, plexiglass, lenses and a small motor The Art Newspaper Russia is an official media partner of the Tretyakov Gallery A sweeping survey of Soviet kinetic art at the New Tretyakov Gallery in Moscow has become one of the best critically received exhibitions to open this year in the Russian capital. Future Lab: Kinetic Art in Russia (until 10 May) opened after the city came our of its second Covid-19 lockdown and explores the beginnings and influence of the post-war avant-garde movement. The movement was regarded for a long time as a “marginal phenomenon” of 20th Russian art history, since it did not fit into the discourse of “conflict between art and authority”, says the exhibition curator Yulia Aksenova. “[It] neither spoke in the language of power, nor spoke out against it.” But it appears to have resonated with the museum-going public in today's Moscow. An installation view of Future Lab: Kinetic Art in Russia at the New Tretyakov Gallery in Moscow The exhibition features work by more than 90 artists, including precursors to the movement as well as contemporary artists who have followed in its wake, such as vtol (Dmitry Morozov) and the Stain Group. Russian Modern masters from the early 20th century, like Kazimir Malevich and Vladimir Tatlin, “conduct a dialogue with artists of the 60s”, Aksenova says. However, the exhibition focuses on the main protagonists and founders of the post-war kinetic art movement, such as Lev Nusberg, Francisco Infante-Arana and Viacheslav Koleichuk. “Directly continuing the line of the 1920s avant-garde, [the movement] was interested in universal ideas and transcendental problems on a planetary scale,” Aksenova says. Artists were both researchers and experimenters, she adds. The show includes around 400 works ranging in media from mobiles, moving sculptures and interactive pieces, to collages, optical illusion paintings and photography. It is staged jointly by the Tretyakov and St Petersburg’s Manege Central Exhibition Hall, where it was shown last year, together with Rosizo, the federal culture ministry’s exhibitions branch, and Moscow’s Triumph Gallery. • Future Lab: Kinetic Art in Russia, New Tretyakov Gallery, Moscow, until 10 May
